
Image from i write to believe.

"...But there is a third reason for my contempt, much deeper and therefore more difficult to express; in which is rooted all my reasons for being anything I am or attempt to be; and above all, for being a Distributist. Perhaps the nearest to a description of it is to say this: that my contempt boils over into bad behaviour when I hear the common suggestion that a birth is avoided because people want to be 'free' to go to the cinema or buy a gramophone or a loud-speaker. What makes me want to walk over such people like doormats is that they use the word 'free.' By every act of that sort they chain themselves to the most servile and mechanical system yet tolerated by men. The cinema is a machine for unrolling certain regular patterns called pictures; expressing the most vulgar millionaires' notion of the taste of the most vulgar millions. The gramophone is a machine for recording such tunes as certain shops and other organisations choose to sell. The wireless is better; but even that is marked by the modern mark of all three; the impotence of the receptive party. The amateur cannot challenge the actor; the householder will find it vain to go and shout into the gramophone; the mob cannot pelt the modern speaker, especially when he is a loud-speaker. It is all a central mechanism giving out to men exactly what their masters think they should have. 
Let's put it this way: think of your most favorite hero (one of mine is Sara Crewe!) and tell me if you'd still respect that person if he walked up to you (as you prayed) and screamed in your face, all because he wanted to let you know you were super-duper absolutely positively incredibly and crazily wrong about something. What's so heroic about that?







Illustration by Odelia Leaf 